When you start listing the bands that Ryan Seagrist and Pat Schramm have been involved with, it kind of makes sense that they have produced a demo that leaves you desperate for more. Between them, they have played with bands such as Discount, Latterman, Bridge & Tunnel, Fellow Project, and Monikers.
But with Young Ladies, these two friends based in NYC have produced something that is a departure from their trademark sound and lets them showcase a different side of their song writing, leaning more towards indie rock or 90s alternative than straight forward punk rock.
I spoke to Ryan and asked him how the project came about.
“I work in a recording studio sometimes in the city, had a couple of free days, and Pat and I went in and just finished those three tunes. We posted the songs and have already gone through a few hundred downloads. So we’re really stoked,” Ryan explained.
With this demo, Young Ladies have taken the themes of friendship, loss, loneliness, and big city life that have run through so many of their previous bands lyrics and delivered them in way that lets them step out from the shadows of their other projects and I, for one, can’t wait to hear more.
After an eight-year silence, Pilot To Gunner is back, releasing a new song from their forthcoming album. And I couldn’t be more excited.
When their debut album, Games At High Speeds, came out in 2001, I was blown away. Between the song structure and the vocals, it sounded really fresh to me and I was sold. But after only one other full length, 2004’s Get Saved (also an excellent release), PTG appeared to vanish.
Well, they’re back. Guilty Guilty is expected to drop in October on Arctic Rodeo Recordings and, like Get Saved, was produced by the legendary J. Robbins. Rumor has it that it’s 12 tracks of awesome. I’ll let you know if that’s true once I get my hands on a copy (expect a future post)!
The new song, “We Die Today,” is streaming at Punknews.org. It’s just over three minutes of angular, rhythmic, rock and roll with Scott Padden’s distinct vocals dancing powerfully over the tempo changes. The hooks are huge, too, causing uncontrollable head-nodding and body twitching.
If this track is any sign of the rest of the album, fans of PTG will be stoked to find the band back on the scene. And those unfamiliar with the band should quickly familiarize themselves with the back catalogue.