Crusades’ debut LP The Sun Is Down And The Night Is Riding In opens with an extremely ominous and slow marching drum – very reminiscent of Fucked Up’s opener from Hidden World (which may or may not be where “Crusades” came from), except the band dwell on the dark biblical passages left behind by Fucked Up. But before you know it, “Attic” has kicked into gear and it’s time to get freaky. Crusade’s obvious influences lie somewhere between The Misfits and The Copyrights, blending dark and satanic imagery with mile-a-minute pop punk hooks, yet are distinctly neither wholly.
The southern Ontario punk rock scene has been building and swelling for quite some time now, and is about to hit it’s spilling point. While neither are relics in age, stature, or output, Wayfarer and The Decay have both contributed significantly to the face of independent music and the persistence of a scene in the area. On the surface, theDecayfarer split seems obvious; why didn’t this happen years ago? The record’s sound is anything but simple to figure out; both sides of the LP feature the respective bands at their most developed. While neither band has left their roots behind, The Decay have expanded on their street punk beginnings and Wayfarer their fairly linear pop-punk origin. Decayfarer utilizes the best in writing ability from both these young and upcoming bands.