The Copyrights’ fifth studio album, North Sentinel Island, opens up with the band’s most straightforward, hardhitting, rock and roll riff in years, and best of all, they’re completely unapologetic for it. The opening track quickly segues into a blend of crunchy guitar riffs layered on top of melodic vocal hooks. Before “Trustees Of Modern Chemistry” finishes, you can rest assured that the band hasn’t lost any of their steam in their three-year absence since 2008’s Learn The Hard Way came out.
Category Archives: Reviews
The independent music company, Black Numbers, has recently released a Grey Area/Go Rydell split that, while not packed, holds some really good tunes. It’s an excellent jumping on point for hardcore punk fans who may have overlooked either band or a great addition for those that are already well on their way to building their Grey Area or Go Rydell collection.
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With thousand of miles separating Dan Andriano from his other Alkaline Trio members, he has had plenty of time to master his solo craft. Creating the new moniker and slowly releasing demo’s since 2009, Hurricane Season has been a long time coming. A labor of love from his relatively new surroundings in St. Augustine FL. This record is full of what makes Alkaline Trio great with more of an Elvis Costello vibe. While being based around Dan and an acoustic guitar,Hurricane Season has a tasteful palette of electric guitars, organs, piano, drums, and the occasional bass. In a very personal departure from his norm of the Trio, Andriano paints the picture of a traveling man searching for something he might not be heading towards. Finding little comfort in hotel rooms and late night phone calls, he searches for a cure. Whether that be a partner to share his fear with or a good nights sleep. Dan’s song writing abilities shine through his blackened insides and make for a great batch of songs.
The southern Ontario punk rock scene has been building and swelling for quite some time now, and is about to hit it’s spilling point. While neither are relics in age, stature, or output, Wayfarer and The Decay have both contributed significantly to the face of independent music and the persistence of a scene in the area. On the surface, theDecayfarer split seems obvious; why didn’t this happen years ago? The record’s sound is anything but simple to figure out; both sides of the LP feature the respective bands at their most developed. While neither band has left their roots behind, The Decay have expanded on their street punk beginnings and Wayfarer their fairly linear pop-punk origin. Decayfarer utilizes the best in writing ability from both these young and upcoming bands.
Direct Hit!’s debut album Domesplitter is a collection of what the fans voted on as the group’s most noteworthy tracks off of their first five split 7”s, rerecorded and reimagined with a new, consistent lineup and a concrete goal in sight. The band’s signature blend of anthemic pop-punk is fairly reminiscent of genre staples The Copyrights andScreeching Weasel, and when tied in succinctly with fellow pumper-upper Andrew WK creates an unpredictable slew of party punk with enough heart to keep you coming back for more. Domesplitter hits the nail on the head like none of the band’s previous short run efforts have been able to. In true Direct Hit! fashion, the listener is slapped in the face with the first “fuck you, get pumped!” before even the opening track has a chance to make an appearance, and again a mere five minutes later.